Rehearsals were organized through online video meetings, but actual recording took place in-person using creative techniques, such as staggered recording schedules, isolated character readings, and small socially distanced groupings of actors.

“The directors did an amazing job organizing production,” said Mr. Farkas, who also serves as the podcast’s sound engineer, designer, and editor. The actual recording days were long and tedious, with actors arriving individually in studio on a staggered schedule. Characters’ parts were read individually in isolation, and then they were re-assembled afterwards during post-production editing–that’s also where sound effects and musical scoring tracks were dropped into the performances.

“Recording actors in isolation and then stitching together individual clips of dialogue in the editing room is not easy, but it’s not a new technique,” Mr. Farkas said. “Animated shows do this routinely, as do most other audio productions created in-studio. We typically record our radio dramas as they are performed live on stage—as was traditionally done in the ‘Golden Age of Radio.’ But COVID made live-stage performances impossible this year.”

Farkas went on to say that in radio theater sound quality is essential. “I understand why some theater companies choose to perform their shows virtually, but as an audio producer I refuse to compromise aesthetics when it comes to radio theater, where everything rides on sound quality. Radio theater is an aural art form. It’s all about what you hear inspiring the imagination. The listening experience matters. This is theater of the mind. Zoom presentations just don’t work for me, and I suspect they’re off-putting to most audiences as well.”

However, as a broadcast platform the internet is exceptionally suited to radio theater in terms of accessibility and world-wide reach. “Our three shows of this short season have been heard in more than twenty countries, including Australia, France, and India,” Farkas said, “and listeners in twenty-six states have downloaded our podcast episodes.”

Podcasting—both visual and audio—is growing in popularity, and radio theater podcasts are springing up everywhere from college campuses, local performing arts communities, to professional productions. 

The TSVP Radio Theater Podcast–working with community-based actors and local theater organizations to present classic, contemporary, and original imaginative audio productions, including recorded, staged, and live streamed performances before live audiences–is the first in Pittsburgh, Western Pennsylvania, and surrounding multi-state region to be dedicated to showcasing such performances and celebrating the technical craft of radio theater.